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Going Native

FICTION.GOING-NATIVE

by Larry Narron

Oscar stood on the curb in front of his school and waited for his mother’s boyfriend, Ted, to pick him up. It was a Friday in June, as well as his sixth birthday—Ms. Lindsey had even brought him a cupcake during recess, and he got to blow out the candle too—and he was looking forward to spending time with his father (who he was in the habit of calling by his first name, Randy) later that evening.

He glanced down at the two, blue plastered-together slivers of construction paper that he held in his hands, the edges still wet and sticky from his liberal use of the glue-stick. He was afraid of scissors, and so that morning Ms. Lindsey had stood behind him with her warm cigarette breath beside his cheek, and her long yellow hair almost tickling his neck as she held his hands against a cold and rusty left-handed pair barely held together by a single loose bolt and directed his nervous fingers to slowly cut the thick paper into the shape of a raindrop.

He’d written, in as even lines as he was capable of writing, a poem of his own authoring about raindrops with a purple Magic Marker® in his best handwriting which, he knew, wasn’t as good as some of the other kids in his class, especially the girls. But the poem itself was good. Of that he was certain. And he thought that Randy would think it was a good raindrop poem when he gave it to him later that evening.

Oscar had been waiting for a little more than an hour, and now not just the school but the sidewalk itself was nearly devoid of children, and the sun was sinking low on the horizon beyond the white range of endless houses in the west when Ted suddenly came sailing past him in the pickup. About forty feet beyond the place where Oscar stood, the truck jerked suddenly to the right and rolled up onto the curb with a screech of the tires. The truck stopped, then realigned, and Oscar could see Ted looking back over his shoulder through the dirty glass as he backed the truck up—slowly this time—parallel to the curb, stopping finally when he reached the place where Oscar stood.

Through the rolled-down passenger-side window Oscar could see Ted leaning over the seat, looking at him. Immediately he felt the rushing wave of whisky and beer and cigarettes squeeze out of the car and envelope him.

Almost didn’t see you there, buddy, Ted slurred. He took a long drag from the cigarette that had, until that moment, dangled somewhere out of view. The cigarette looked as if it had been smoked as much as it could be smoked, but as Ted sucked on it the thing glowed a weak red and flickered for a moment like a defiant, dying breath before dimming into nothing. He jerked the thing violently away from his mouth and turned his head and exhaled a huge cloud of smoke into the cab. He flicked the butt out the driver’s side window and turned back to Oscar. Happy birthday, bud. Hop in.

Oscar got in the truck and they pulled away from the school. The truck made a wide turn onto the boulevard that cut straight through the center of town. Ted glanced quickly at Oscar, turned his attention back to the road. Whatcha got there, bud?

Oscar looked down at the huge paper raindrop he was holding carefully with both hands on his lap. A raindrop poem, he said. Made it in class.

Ted shot him another glance, longer this time, his eyes narrowing as he stared for a good few seconds at the paper raindrop before turning his attention back to the road to discover in that instant that he’d veered off into the other lane. Up ahead, in the distance, the traffic was coming toward them. He pulled back into his own lane before Oscar had even noticed. No problem.

So the white man thinks he can make a poem about the rain now, hmm? Ted said, his face flushing slightly.  He shook his head and scoffed.

Oscar looked at him, confused.  He waited patiently for the explanation he knew would come if he just kept quiet.

The white man doesn’t know shit about the rain, Ted was saying. It sounded to Oscar as if he was saying it to himself as much as he was saying it to him. You’d have to be Indian to understand about the earth, to make a poem about it. Is that some shit they teach you in school?  Jesus Christ. Christopher Columbus Day and Pocahontas and her big cartoon tits, right? Sure they do. He laughed again, shaking his head. He cocked his head to the side and spit out the window.

Oscar was quiet for a moment. He looked down at the raindrop poem in his lap and started to feel sad. Then he remembered: But Randy, he said, turning to Ted, said that you’re not a real Indian. He said you just pretend it. Randy says Indians don’t have blond hair and blue eyes.  Randy said—

Fuck Randy, Ted cut him off, gripping the wheel with both hands. Randy knows an awful lot, doesn’t he?

The truck sailed through a red light without incident.

I mean, Ted said, quietly, Randy wouldsay something like that. He doesn’t know what he’s talking about. Know what I mean, bud? He turned to Oscar and smiled through his yellow teeth.  The smile dissolved as he turned his head to look back at the road. Hey, he said after a few minutes, Randy didn’t happen to give you the check your mom wanted? Did he, bud?

No, Oscar said, I haven’t even seen him yet.

An Indian goes into hiding

When they got home Oscar’s mother made him take a shower, even though he’d already taken one the day before. He was drying off when he heard the doorbell ring—barely distinguishable amidst the Enya music blasting on the other side of the bathroom door—and he knew it was Randy coming to see him for his birthday. Oscar quickly finished drying and hurried into his clothes. He opened the door and saw Ted crouched low to the ground in the middle of the living room. He crept low, staying below the window sills. Oscar glanced out the window to see if anyone was looking into the house. When he looked back at Ted, hunched in the corner, his eyes were open wide. Ted held a finger up to his lips and looked at Oscar.

Oscar, Ted whispered in the way Oscar knew people whispered when they were going to say something that was very important. Don’t say anything. It’s your dad, bud. Don’t tell him I’m here. Ted remained crouched as he turned and hurried across the living room and down the hall toward his mother’s bedroom. Oscar watched him go into the room and climb into the closet. He looked at Oscar and put his finger to his lips again as he slid the door slowly and quietly over himself, and disappeared inside.

Oscar turned away and ran through the living room and down the other hall that led to the front door of the house. His mother was standing in the doorway, facing away from him and blocking any view of Randy he otherwise might have been able to get. She was screaming and Randy was screaming. Enya was singing.

This is bullshit, Randy said. Come on, Meredith. You know that son of a bitch was living here less than two weeks after I moved out. You can’t expect me to believethat shit.

Oh, don’t you sound intelligent? Real smart, Randy. You figured it out. So I was cheating on you. Jesus Christ.

Does he have a job yet? Are you guys gonna get married or was he just planning on living off of my money for a few years before he bails out on you? He already bailed out on his kid, now he thinks he can raise mine.

Shut up, Randy. Just shut up.

He thinks he’s a goddamn Indian, Meredith. A fucking Indian. You realize you’re both totally fucking crazy, right? I hope you at least realize that. You’re fucking the medicine man. Great. So what’s Oscar gonna be when he grows up? A fucking shaman? Randy laughed the way he did when he thought that something was stupid.

Meredith screamed. You don’t know what you’re talking about. Just stop it.

Let me see my goddamn son.

From where he stood in the hallway Oscar could see his mother lift her hands from her hips and hug herself with her arms. She stood there.

It’s not Saturday.

It’s his birthday. I want to see him. Please.

It’s not Saturday, Randy.

Meredith. Please.

Oscar turned and ran back down the hall and through the living room. He ran up the stairs, leaping over every other step as he hurried to his bedroom. He went inside and got the raindrop poem from where he’d placed it on his pillow to let the glue dry. He closed the door behind him so that no one would hear him if he started crying. When he realized that he wasn’t going to cry, he grabbed the poem from his pillow and burst back out of his room and trotted back down the staircase to the living room, smiling.

Just as he reached the end of the hall where his mother was, she slammed the door shut on Randy. She locked it. She turned and looked startled when she saw Oscar standing there. A piece of paper was dangling from her left hand. Oscar looked and saw that it was the check she had kept asking him to get from Randy.

Is he gone yet? Oscar heard Ted calling from the closet in the bedroom behind him.

Meredith looked over Oscar’s head. Just hold on a second, Ted. I’ll be right there, honey.

She looked back at Oscar and smiled. What’s that you got there, Oscar? she said, pointing to the paper raindrop. You make that for me in school today?

Before he could even think how to answer his mother, her gaze dropped away from him and she studied the check in her hands.

Enya finished singing one song, began singing another.

FICTION.GOING-NATIVE2The Indian way

After dinner that night, his mother had to leave to go to a meeting at the place where she worked. She told Oscar and Ted to have fun, that she would be back later that evening, and then she left.

Ted had been drinking since about an hour before they sat down to have dinner from one of the big bottles that he kept in the high-up kitchen cabinets. After a while he started talking in his Indian voice again (the way he did when he got very drunk), the voice of the Indians on old, black-and-white TV shows. At least that’s what Oscar thought that it sounded like. He couldn’t exactly place where he’d heard a voice like that before.

After his mom left, Ted made Oscar do the dishes, but afterward he was allowed to watch cartoons in the living room for a while. His mom said she didn’t let him watch the good cartoons like Ninja Turtles because they were too violent, but he was allowed to watch Captain Planet because it talked about taking care of Mother Earth. Ted left him alone and went out into the backyard for almost the whole cartoon.

Captain Planet was almost done saving the rainforest from the lumberjacks when Ted came back inside, looking stone-faced and serious. He stumbled into the living room. Oscar, he said, it is time you learned a great Indian secret. You will come to the backyard now. He took a giant swallow from the nearly emptied bottle dangling from his fist. Come to the sweat lodge. He motioned. I will show you the way.

Oscar turned off the TV and looked at him. He didn’t know what to say. He thought if he said something, it might be wrong.

Your birthday is a very special time in life, Ted was saying. It is time for the great ceremony.  The stones have already been heated. Come. Ted took another gulp from the bottle, turned and walked back outside.

Oscar was afraid of following Ted, but he was also afraid of what might happen if he didn’t follow, so he rose from the couch and followed Ted out into the deep purple evening. He stood next to his mother’s boyfriend in the middle of the backyard. The stars, partially obscured by the thickening clouds, shone only dimly in the sky. A cool breeze blew softly through the darkness, almost as if it wanted to pass unnoticed through the yard.

They approached the sweat lodge together. It was just a makeshift hut covered with a black tarp. Oscar could see a small piece of the tarp that covered the wall that faced them swaying in the wind, reflecting the moonlight, and he realized in that moment that it was covering the entrance. From what he could tell by the way the tarp flapped, the entrance was so small you would have to get down on your hands and knees to crawl through it. He wondered when Ted had finished building the thing; just yesterday morning it was only a pile of wood lying in the grass.

Ted prodded Oscar with the bottle. Get in, he said, and be careful of the stones.

Oscar turned and looked up at Ted. It occurred to him then that he did not know if he was more frightened of Ted or of the idea of trying to squeeze into the hole.

Get in, Ted said more firmly. The medicine men have always said that this must be done.  Medicine is the way to purify, to heal the body and the mind. And the soul. The white man must be purified. He finished what was left of the bottle and lobbed it off into the grass by the fence.

Oscar, realizing now that he had no choice whatsoever in the matter, got down on his hands and knees and crawled reluctantly toward the door of the sweat lodge. When he reached it he lifted the flap of tarp that covered the small entrance and immediately felt the heat rush over him.  The blinding steam billowed out through the door something desperate to get out, as if there were something in there it absolutely must escape from before…before what? Inside, deep in the steam near the ground, in the middle of the lodge, he could see the smooth round stones glowing red in the shallow pit, pulsing slowly like the ends of cigarettes. For a moment, Oscar thought he heard an animal growling somewhere in the darkness behind him. Then he realized it was Ted.

Get inside, he said.  You’re letting the heat out.

Oscar pushed himself all the way in, feeling the hot steam as it swallowed him. Yeah, swallowing him, that’s what it was doing. As he pulled his legs into the sweat lodge, the tarp that concealed the small entrance fell slack behind him. The steam made it so he couldn’t see very well, and it made his eyes water and swell and sting. Already he felt uncomfortable trying to breathe. He inhaled cautiously, but the steam made his throat swell anyway; it burned in his lungs, but exhaling was a relief, even though it almost hurt as much as breathing in. He kept his breaths short, realizing then that deep breaths would only make it more uncomfortable, more painful. He crawled through the darkness, scraping against the wall to avoid the stones, noting that the interior of the sweat lodge was also coated in plastic tarp that had been stapled to the wall in some places, was sagging in others, bubbling from the heat. Above him, the plastic also drooped and bubbled in the places where no staples held it to the ceiling. Even with the glow from the heated stones, he could barely see the ceiling and the walls of the sweat lodge’s insides because it was so obscured by the thickening steam that kept billowing up from the stones in the pit, and the blackness of the walls and the ceiling seemed to add an inky stain to the steam that hung in the room, darkening it more, threatening to turn it entirely black—the hot blackening breath of the mouth, the mouth that had swallowed him, the mouth that was hungry forever for heat and steam.

Clinging to the tarp, he crawled around the glowing stones and sat against the wall on the far side of the sweat lodge where he faced the entrance—no, where he faced the mouth of whatever grim beast whose jaws he had been foolish enough to crawl inside. He sat Indian style, the way he had learned last year in kindergarten, thinking that this was how Ted would want him to be sitting. The black plastic covering the wall behind him was damp and sticky from the hot steam.  It clung to his back, even through the fabric of his shirt, and stuck to it with the help of the sweat that was forming there beneath it, that he could feel dripping down to the top of his pants. He swallowed, his throat not just dry but burning now, he realized, swelling and aching from the steam. He looked over the glow of the stones toward the low, now-covered entrance on the opposite side of the lodge. The dim red light made the floor glow, illuminated the lowest parts of the walls as well, and the plastic section of tarp that hid the entrance. The plastic shimmered in the red glow as a breeze drifted through the backyard.

There was a rustling sound that came from beyond the flap that dangled over the sweat lodge’s entrance, the sound of animals—dogs, maybe—digging, rustling through the wet grass and the weeds. Ted’s face popped through the hole. Oscar could barely see the outline of it through the thickening steam, but its surface glowed a soft red because of the heated stones.

Boo, Ted yelled, and burst out laughing.  He choked suddenly, coughed and heaved, his breath warm and rank from the bottle, mixing into a sickening soup with the steam floating in the darkness.

Ted squeezed through the hole and seemed to grow larger in the darkness as he sat up in the small, cramped room, his legs gleaming red, his torso and his face now entirely enveloped in the darkness and the steam. His body blocked the door, a permanent eclipse. He sat Indian style. It is the Indian way, he said.

Oscar stared at him, terrified. Indian way? Where had he heard that before? Hadn’t Randy said something about the Indian way once? Or was that just a dream he’d had? He almost remembered something then, but not quite.

The ceremony is sacred to my people, Ted said slowly in his strange voice, spacing out the words and emphasizing each one as if it were a completed statement of its own. Now his whole face was a shadow, a face made out of shadow, a shadow that breathed forth steam. You must be purified for what your people have done to mine.

Oscar tried to move and found that he couldn’t. He felt paralyzed with fear, as if a spell had been cast upon him that meant to keep him there. His lungs filled with the hot air and it burned worse than he felt he could bear. He wanted out. He tried to keep his breathing slow and even, but it was now quickening beyond his control, and the pain from the heat only increased with it.  The gleaming started swimming in the darkness in front of his eyes, the darkness blinking in and out of frame in subtle flashes that continued to flicker and pulse. He could feel his chest pounding with pain. He could barely recognize the strange voice of his mother’s boyfriend now as his speech slowed down even more, the octaves plummeting lower than Oscar had ever heard before from him.

The rain, Ted said deeply, and Oscar remembered no more.

~

There was a time, a year ago maybe, even though it sometimes felt like more, when Ted wasn’t there, when Randy was still married to Meredith, and they weren’t screaming. Randy and his mom were still living together with Oscar in the old mobile home park on the other side of the city. This was when Randy was working all the time, trying to get enough money to buy the new house in the nice neighborhood with the cul-de-sacs. Oscar remembered there was this one time when so many days went by and he didn’t even get to see Randy once. Randy would come home late at night after Oscar had gone to bed. And he’d leave early in the morning before he woke up.   He told his mom and she just looked at him and sighed and said, Tell me about it. So Oscar started telling her and she started yelling and sent him to his room. But then, one night, Randy snuck quietly into his room and woke him from sleep. There were dark bags hanging under his eyes, which were puffy and red, the veins in them thick and swollen, bulging even. He told Oscar to come with him into the living room. Shh, Randy said. They had to be real quiet because Mom was sleeping. They sat down on the couch in the living room and watched TV with the sound turned down so low there was almost no sound at all. It was a show—an old black-and-white one—about cowboys and Indians. Randy whispered something about how the Indians always whispered to each other when they went out hunting, and how they hid in the fog that blanketed the hills and kept them invisible to the cowboys, and how their horses ran through the fog with their hoofs never touching the ground, silent as ghosts. Oscar watched the cowboys shooting all the Indians on TV, the Indians firing back with their bows and arrows to no avail, tumbling down in the long wet grass, gun smoke puffing from their punctured hearts.

He didn’t remember falling asleep. But it was still dark when he felt the hand that was shaking him. He found that he could only open his eyes halfway, but he realized that he hadn’t gone to his room, that he’d fallen asleep on the couch in the living room, and he looked up into the darkness and saw that it was Randy who was shaking him gently, whispering. Oscar, come on now. Remember, you said you wanted to go fishing. Oscar didn’t remember, but he grew suddenly excited at the idea of fishing so early in the morning and he wanted to go. He got up from the couch and walked in a daze to his room to get his jacket and his shoes. When he came back to the living room, he saw Randy bending down in the darkness, closing the latches on the tackle box slowly and carefully, so they wouldn’t click too loud. He handed Oscar the fishing poles to carry and they went silently out of the house into the chill of the nearly lightless early morning. They got in the truck and let it warm up for a while before backing slowly out of the driveway into street.  As they drove through the mobile home park, Oscar looked out the window and up into the foggy darkness in the sky. The stars were all behind the clouds.

Randy turned the truck around the corner. They were driving toward the back of the mobile home park—it wasn’t the normal way to leave. Oscar turned to his dad. Where are we going, Randy? Randy smiled. We’re going fishing. But Randy, Oscar complained, this isn’t the way out of the park. Randy looked at him and smiled. We’re going the Indian way. He turned back to the road and peered into the fog as he drove them toward the back end of the park. There was a tear in the chain-link fence just wide enough to drive the truck through. They went through the opening and drove slowly down the long alleyway lined on each side with broken-down trailers that sunk into the wet, disintegrating asphalt. Long wet weeds grew up out of the asphalt around the sagging trailers. Their windows were boarded up and their wavy metal sidings were pocked with rusty holes. This is where the Indians live, Randy said. And he pointed to the boards nailed over the windows. See? They’re in there, hiding from skinwalkers. Oscar turned and looked at his father, his eyebrows coming together as he frowned at him skeptically. Skinwalkers? What’s that? Yeah, Randy said, and paused for a moment before continuing. Witches, he said. Witches that look like people sometimes, wild animals others. See, they can change into anything. They live in the caves out there in the hills, in the mist, and they talk to the wolves, and the coyotes.  And when the coyotes and the wolves go somewhere to die, the skinwalkers take their skins and wear them. The hair of the wolves is where they get their magic from.

Is it good magic? Oscar wanted to know.

Oh no, Randy said. It’s a very bad kind of magic. It’s a dark and terrible power that they have.  And that’s why the Indians are hiding here. Randy pointed again to the trailers as they slowly neared the end of the alley. Oscar looked again at the holes on the metal siding of the trailers, wondered if the Indians were looking out at them through the holes as they drove past. It’s why they have to keep quiet, Randy said. It’s why they have to whisper. That’s why they call this place the Indian way. But what about the cowboys? Oscar said. Why don’t the cowboys shoot the skinwalkers with their guns? Randy shook his head. Bullets can’t hurt them, he said. Their magic protects them. Oscar continued staring out the window, watched the trailers that seemed almost to float by them in the darkness. Then suddenly they were out of the alley, and onto the open road. Oscar recognized the place where they were now as the truck sped up, descending the hill that went down toward the lake.

~

FICTION.GOING-NATIVE.skinwalkerThe skinwalker

Oscar awoke and found himself in the cave with the skinwalker. It was sitting opposite him, blocking the cave’s entrance, and the cave was full of its blooming breath that burned hot from within. It sat Indian style, its legs aglow from the heated stones, its face blurred by the dense shadows that seemed to collapse in on themselves inside the steam. He could not see the skinwalker’s eyes—only the thickening shadow where its face was—but he knew with a terrible intuitive certainty that it was looking at him, through him, as if it were determined on focusing on something buried deep inside his head. He thought he could see the shadows that hid its face warp into the shape of sinuous lips, and smile at him, but the rest of its expression was still obscured by its hot breath that hung nearly motionless in the darkness of the cave, loomed suspended above the orange glow of the stones, the stones of its spell-making.

Oscar’s throat was hot and dry. He tried to breathe in and felt pain. He was sweating all over, dripping, shaking with terror but unable even to fidget from his position on the floor of the cave; he was still sitting Indian style, and his legs were asleep beneath him.

Today you are no longer a boy, the skinwalker said in the voice of the Indians. Today you are a man.

Oscar suddenly became conscious of his tongue in his throat and managed a scream. He willed the feeling back into his legs, the strength to stand, but as he did so he nearly collapsed into the hot pit of stones. The skinwalker was startled. It flinched at Oscar’s scream and sudden movement. Oscar scurried in a panic around the stones, making for the tiny door of the cave it was blocking. He swung his small fists at the thing, screaming and coughing, and screaming.  His fists thudded uselessly against it. He was not hurting it but he realized had startled the thing, caught the skinwalker off guard, and it growled at him, made to get up, giving him just enough space to squeeze by it and throw himself through the black tarp that hung over the opening of the cave. He heaved himself forward, ripping through the black crinkly darkness. The plastic that covered the entrance gave way and tore under the force of his desperate, flailing fingers. He tumbled through the tarp and crashed down into the wet dirt and the weeds. Instantly he felt the ice-cold mud on his face and hands and arms. The air was cool on his face. The soft breeze touched him as if to comfort him, to remind him that he had escaped. He sucked in the cold and soothing air. He didn’t want to let it out again.

He felt a violent slapping on his back. The skinwalker, blinded by its breath, was trying to squeeze out of the cave. It struggled to get a hold on Oscar’s shirt.

Oscar shrieked and pulled away through the dirt, wanting to get as far away as possible as the thing tried to pull him back into the cave. He felt a tug, his shirt ripping—and he was free.

Get back here you little brat!

Oscar pushed himself to his feet. The skinwalker squeezed out of the cave, stood and lunged after him. It grabbed ahold of Oscar’s arm and yanked hard on it. Oscar screamed again, heard a sickening popping sound below his shoulder that was immediately followed by a sharp and unbearable pain. He gritted his teeth and squeezed his eyes shut. He pulled away, stumbled through the dark yard under the clouded stars, hugging his injured arm to his chest, trying his best not to cry from the throbbing pain, sending it rippling into his neck in waves that only seemed to grow bolder in their effort to crash mercilessly against the tender shores of his brain.  Inevitably, his head began to pound and ache.

The house was in front of him, he saw. He stumbled toward the sliding screen door that led back into the house. He went inside, into more darkness. He remembered then that his mother was out at a meeting. She still wasn’t back. She’d left him with Ted but he’d started talking in his Indian voice and drinking and had turned back into the skinwalker. He remembered his father had stopped by earlier, but then he had left, went back to sleep in his little apartment in another city. He fumbled for the light switch in the darkness, only succeeded in stumbling into a chair at the dining room table. He winced, let out a short, half-muted sob, decided to forget the chair and felt his way through the darkness to the living room. He managed to avoid slamming into the coffee table, found his way around it, collapsed on the couch. He pulled his arm into his chest and hugged it tight, feeling the endless waves of pain pulsing  through him as he prayed wordlessly for them to subside.

The skinwalker stepped in through the screen door, cursing. It went right for the cabinets in the kitchen and started throwing the doors open, looking for bottles. Finally it came back out—empty-handed. It stared at Oscar through the darkness for a moment, saying nothing.  Finally it walked over toward him and crouched down beside the coffee table. It reached for the bundle of sage leaves on the middle of the table, fumbled in its pocket with the other hand and pulled out a lighter. It held the flame up to the sage leaf and flicked it a few times before the sage caught fire. The skinwalker shook the sage back and forth until the little flame burned out.  Smoke rose through the darkness, spinning slow as it meandered toward the ceiling.

To clear the house of evil spirits, it said in its low and measured Indian voice, still waving the burning bundle of sage back and forth, the smoke now spreading outward through the air as it rose. Its voice choked on sobs. The spirits will leave us now. But sounded only half-convinced of itself.

Oscar clutched his arm and fought back tears, stared at the skinwalker kneeling beside him as it slowly waved the sage back and forth in the darkness. Oscar held his breath and watched it, and saw that it had started weeping softly over the edge of the coffee table.

He watched it for a long time like that.  Finally, when the sage had finally burned away, the skinwalker stood wordlessly. It looked down at Oscar for a moment. Then it turned and walked silently down the hall to his mother’s bedroom, went in, and shut the door softly behind it. §

Having previously supported himself by sorting mail, spinning signs, and washing windows, Larry Narron (after graduation from UC Berkeley), now lives and writes in Portland Oregon.  He can be reached at: lmnarron@gmail.com

 

NIGHTLIFE IN HAPPY JACK’S: THE REAL COMPUTER VIRUS

IMG_6070by Dell Franklin

I was tending bar at Happy Jack’s in Morro Bay, a notorious fisherman’s dive habituated by a foul, abusive crowd of ex-cons, cranksters, drug-whores, hard-core alkies, and their coteries. I’d been there six years, fighting off the harpies and mayhem, when my hoop pal, Charlie Richardson, who was part owner of a restaurant/bar on a golf course in Los Osos, offered me a job tending bar nights.

Because I was wearing down from the venal clientele in Happy Jack’s, I’d been mulling over a change, feeling, at 56, that I needed a drastic change. I was told by Mr. Richardson that I was perfect for this new venue because its theme was a sports bar and I was a sports media maven as well as an athlete who understood players and games.

The clubhouse was spacious, well-lit, clean, unlike the sewer-rancid, gloomy, grotto-like Happy Jack’s. Scattered throughout the clubhouse were about ten TVs, controlled by two satellite systems that appeared as intricate and extensive as the instrument panel on a jet plane.

The manager, Greg (also a part owner,) was there to break me in. (I was still working at Happy Jack’s, just testing the waters here). Throughout the clubhouse were tables, to which very pretty, very wholesome young girls delivered meals from a nearby kitchen. The atmosphere among customers and employees was sunny, upbeat. Used to being verbally abused and even threatened, occasionally attacked and retaliating, I was more than pleasantly surprised by the friendliness and courtesy of golfers. No cursing or spouting unintelligible gibberish, just a crew of civilized middle-class suburbanites, and good tippers to boot.

But then there was this cash register. Greg felt I already knew how to work such a register, but when I explained I had never done so, he told me it was “a snap” and it wouldn’t take but a few minutes for him to teach me. A very patient person, he did not realize that since l969 I had only worked registers into which I simply pounded out the amount, hit a SALE button, and ka-ching, out popped the tray, and I made a quick transaction.

This new register looked nothing like the solid-state, anvil-heavy registers I was used to, was this skinny, fragile-looking contraption with a big glowing screen.

“You’ll really like this register,” Greg told me. “It’s real simple, once you get used to it. It does all your adding, so there’s no chance of mistakes.”

“I don’t make mistakes with numbers, Greg. I can add. I won a mental arithmetic contest at the Pomona Fair when I was ten years old. I pride myself in being a fast, power bartender.”

Greg raised a hand to stop me. “Look, this machine has a price list for all items, which automatically go into a computer. This makes it easier for you early on, when you don’t know prices. This register keeps track of past purchases, inventory, and makes it easier to do taxes and keep track of checks and credit card transactions….”

“Credit cards? I’ve never used a credit card machine. I’ve worked street bars. We don’t accept credit cards, only cash.”

“There’s a button on this register for checks, cash, credit cards, employee discounts, personal tabs, kitchen food, bar snacks….”

“How many goddamn buttons are there for all these different things?”

“Nine.”

“That’s a lot of buttons to keep up with, man. I’m used to one button.”

He placed a friendly hand on my shoulder. “Once you get used to it, you’ll love this register. I mean, if you won an arithmetic tournament, you can certainly master this register. In fact, I predict, that within a day or two, you’ll LOVE this register….”

“What about credit cards? I don’t know how to operate a credit card machine that’s computerized. Where I work, those pukes aren’t allowed credit cards…most of ‘em don’t have drivers licenses.”

“Dell, calm down.” He squeezed my shoulder to show me reassurance and confidence. “Everything’s going to be okay.”

My first shift, Greg sat at the bar playing a video game, keeping an eye on me. The maze of buttons had me flustered and lost, so that Greg kept having to leave his obsessive playing of a video golf game to push buttons and explain things to me. I felt like a stupid person in front of him and the customers each time this happened. While ringing up one measly drink, I dithered with the register as people held up their empty bottles and glasses. One man asked me to please turn on the Laker game on the TVs while another wanted a hockey game, so Greg had to discontinue his golf video game to regulate the satellite system, which entailed more complications to distract and confuse me. I did manage to mix all the drinks to stem the tide of demands and collected tickets and punched them in the register and commenced hitting buttons.

Suddenly tape streamed out of the register and kept coming, piling up on the floor in folds. Bells dinged. The screen filled with advice to halt the onslaught, but I panicked in following directions, and finally, as customers looked on, Greg peered up from his game and quickly came behind the bar to hit a button and halt the flow. My pride was wounded. Trained at Harrah’s Club and having worked busy clubs and entertained folks at the same time, I considered myself a professional.

Anyway, Greg collected the tape and piled it on the back bar and I started fresh. By this time golfers sitting along the bar were starting to exchange glances, and Greg, despite his constant support and encouragement, was glancing at me with mounting concern. Twice he had to come back and show me how to operate the credit card machine. I finally got it on the third try, but still, I dreaded my next bout with this machine, because, like the cash register and satellite system, it too had its little host of tricks to torment me.

At the end of my first shift my final ring was around forty-grand. Greg and I had a big laugh as he showed me how to close up and operate a complicated burglar alarm, which involved more buttons. The places I’d worked in the past had alarms where a simple turn of a key turned it on or off. The entire bevy of systems and buttons had me intimidated, demoralized, and unnerved.

My second shift, Greg remained patient while I continued to muddle through. Even as I was still struggling with the register, he decided to break me in with the satellite system, which proved, as I feared, more complicated and touchy than the register. There was a thick book with all code numbers of satellite channels, and these proved vexing, not to mention operating the system by itself. But, since I was busy, Greg got all the channels in order while I waited on trade. I was still frustrated by the register. I mean, you could not just ring up a vodka/tonic when in a hurry. You hit two buttons and then had a choice of alcohol, wine, or beer. I pushed alcohol and a barrage of liquors appeared on screen. I picked vodka. Up popped a dozen brands of vodka. I pushed Smirnoff. Hit another button for mixes. Up popped a list. I hit tonic. Then I hit other buttons to make a sale. Still, from time to time, for no known reason I could find, tape flowed and spilled on the floor, and the hateful screen dinged and pointed out advice.

I began to sweat, grow tense, lose heart, wilt. As I continued to fall behind, Greg repeatedly came back to stem the flow of tape. I found myself doubling up a fist with which I desired to violently savage this fucking demented machine. I wanted to pick it up and run out among the happy couples and families eating at tables and slam the thing onto the floor and stomp it into smithereens.

My second night, during which I amassed good tips, I rang up around 25-grand, 23-grand over. Still, I operated the credit card machine flawlessly and, at closing, turned on the alarm without a hitch, impressing Greg, who claimed the crowd was taking a liking to me.

I worked my four shifts at Happy Jack’s, slamming around, getting drunk, and returned to the clubhouse, still training. My third shift I was close to mastering the register; only one brief flow of tape which I adroitly halted. So, on the following night, Greg saw fit to step out for a little dinner, leaving me alone, expressing confidence in my ability to operate all systems. The moment he slipped out the door a shiver of terror rippled through my body. My mouth went dry. My palms turned clammy. And it turned out to be a very busy night—cheap taco special. I had to ring up food bills for waitresses, credit cards, tabs, employee discounts, etc., all needing separate buttons. I immediately fell behind and tried to do too many things at once and hit a wrong button and tape streamed out and piled up on the floor. Bells dinged. The screen advised me. There was no Greg to help me. Then somebody requested a golf channel and told me the number, but since there were two systems, I tried the wrong system and all 10 TVs blinked off, so there was nothing but static on all 10 TVs while patrons clamored like an unruly mob for drinks and games.

I became sort of petrified, unable to function, to even move, my brain vaporizing. I was lathered in sweat, gulping for air, hands shaking, teeth clacking. I began to go faint and held onto the bar to keep from collapsing on the floor where tape was quickly piling up. Finally, after swigging a shot from a bottle of vodka like a skid-row drunk, I stormed into the kitchen and corralled the sweet 19-year-old waitress, Melody, who recoiled in shocked, pop-eyed horror at the sight of me.

“My God,” she gasped, touching my inflamed, sweaty face, “are you sick?”

“Melody, I’m having a seizure! I’m hyperventilating!” I gnashed my teeth as sweat geysered from my forehead, burning and blinding my eyes. “Things are closing in on me, Melody!” I heard myself shouting in a dry, strangled voice., following her out to the bar and going behind it. “The register,” I cried pointing at it. “I’m no match for it. The sonofabitch is gonna kill me!”

Everybody in the clubhouse had ceased what they were doing to stare at me. “Poor thing….” Melody murmured, very concerned. “Do you want me to call the paramedics?”

“No. Take over, honey. I’ll drive myself to the hospital. The bar, it’s all yours, kid, the tips, everything. I gotta go. Tell Greg I quit.”

I dashed to the door. Glancing back, Melody, with a couple strokes of the finger, had all the games back on and the register working. I ran to my car and drove to Cayucos and went straight to the local tavern and downed several shots of good vodka chased with beer and soon recovered, back on an even keel, dry, calm, relieved.

Next night I was almost giddy facing my scabrous crew at Happy Jack’s. “You worthless faggot piece of shit,” Homer Carp, an obnoxious fisherman with teeth that looked like they belonged to a barracuda needing an orthodontist, snarled at me. “I hear you’re goin’ to work at a pussy golf course.”

I poured myself a vodka and swilled it. “Why don’t you get some new choppers, fatass.” I retorted.” §

Dell Franklin writes from his home in Cayucos, Calif., where he lives with his mate, Wilbur, a very needy chocolate lab he rescued from the animal shelter. He is the founding publisher of The Rogue Voice and is currently working on a book about his dad, The Ball Player’s Son.

 

the yellow fog

PITH.YELLOW-FOG2I saw a human
form laid out
flat against the hard
asphalt pavement of coastal
Highway 1 today

wrapped in
a yellow body bag,
the bag’s edges, like wings,
fluttered against the profile
of a face frozen in

death in the ocean
breeze, The Rock beyond,

barely visible,
wrapped in its own shroud
of yellow fog.

—Stacey Warde

Night Life in Happy Jack’s: AN INSTANT LOBOTOMY

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“Hey, watch yer mouth, dude! I live there, and I don’t like nobody tellin’ me I live in a fuckin’ kennel. I ain’t no dog.”

by Dell Franklin

1995

Tanya and Trudie lurk just outside the back door of cavernous, grotto-like Happy Jack’s, leveling me with malevolent eyes and at the same time trying to get Hubie’s attention along the bar. I have eighty-sixed these two permanently on my shifts for mooching. Like so many of our customers, they reside in “The Kennel,” a square block of pre-war, wooden, added-on, two-story dilapidated eyesore a few blocks from the bar in Morro Bay. Because so many Kennel residents drink here, Happy Jack’s is often referred to by most patrons and numerous citizens as “The Turd.” I often answer the phone like this: “The Turd. Turd-master speaking. May I help you?”

Once, when our owner, 80-year-old Doug Bruce called, he was a bit taken aback but not really miffed since the local business/political community with whom he golfs and hobnobs refer to his bar, behind his back, as “The Sewer,” due to its unholy stench. These weasels have been trying to close it down for years.

The Kennel is scheduled for demolition and replaced by luxury condos for the rapid gentrification of Morro Bay and its influx of wealthy retirees from throughout the state now that our fishing industry is dying. It has to be appalling when these prospective condo buyers cruise the residential streets of Morro Bay and discover the monstrous Kennel with its open garage slots and oily driveways of squat, flat-tired and block-supported heaps as well as smoke-spewing, clanging four-door behemoths, lopsided pickups and rusted vans.

If a prospective buyer idles past the Kennel in daylight hours, there will be little sign of life, almost as if the place is a ghost town or leper colony. However, at night, the jarring discordance of hideous laughter, vile threats, grating music, aimless and endless arguments and senseless, profane blather wails on into the wee hours, and often until dawn. It is not uncommon for neighbors to call the police and, at 5 in the morning, watch the swirl of squad car lights while a weary cop orders one of the zombies to hold down the noise.

Every time Tanya and Trudie catch my eye, I hiss at them and make shooing gestures, as if they’re flies. They are trying to get Hubie’s attention and coax him off his stool (which is almost impossible) and outside so they can propose a blowjob for drug money.

I’ve got a fairly busy week day evening after Happy Hour. The pool room is clogged with some loud young low-rider progeny who, when not spinning around on crank, tiptoe around me, not sure I am to be trusted. They drink bottled beer and down shots of tequila. They have part time jobs—landscape, framing, house painting, etc. They’re all aware I’ve shit-canned Tanya and Trudie and seem okay with it, but a guy named Buford from the Kennel who sits at the elbow beside Hubie has urged me several times to re-instate them and is not happy with my ignoring him. A rangy, stringy auto mechanic with a mop of blond hair tucked under a beanie, he’s been off his stool twice to consort with the two harridans at the door.

I go out to collect bottles and glasses, and as I pass the door, Tanya hisses at me. “Asshole, everybody hates you.”

“Good. I like being hated. It simplifies things.”

“You treat us like trash, but we’re not trash, YOU’RE TRASH!”

“Lowlife scum,” Trudie adds. She is skeletal of face with a knobby concave body in baggy duds. She was once relatively appealing when young, but crank has rotted her teeth and flaked her skin. Tanya, in shin-high black pants and sweatshirt draped over bowling ball breasts, curls her lips up in a sneer. She has a pocked moon face, round mouth and a long needle nose and brown too-close-together eyes brimming with persecution, beneath which are black smudges.

“I don’t think you’re trash,” I say, stacking bottles beside Buford. “I think you’re skunks.”

“You think WE’RE skunks, when you work in the Turd? Ha ha ha.”

“At least I don’t live in a kennel, arf arf.”

“Hey, watch yer mouth, dude,” Buford warns. “I live there, and I don’t like nobody tellin’ me I live in a fuckin’ kennel. I ain’t no dog.”

I ignore him, return to the pool room for more bottles and glasses and stack them near Buford and Hubie. Buford glances at me as I go behind the bar and begin pulling bottles and glasses off the bar. “Those are my friends out there. I don’t like nobody callin’ ‘em skunks.” As he eyes me up, the girls watch from the doorway. “Who you think you are, eighty-sixin’ them gals, when they ain’t done shit? You think yer God?”

“I’m the bartender here. That makes me God.”

“Fuck you are.”

Hubie, white-haired and red-faced, filthy rich through investments and in love with this dive and conversing with his image in the back bar mirror, shoves up his empty mug. He pays with two singles and rolls up two singles like airplanes for my toke jar. Sometimes, for a surprise, he’ll roll up a five or ten. Occasionally, if he’s hungry, he’ll buy us both burgers I’ll fetch from next the diner next door, or a pizza delivered for the house. He never forgets my birthday and brings me sweatshirts. If he’s here at closing, I’ll drive him three blocks to his apartment. After serving him his draft, I thank him for his arrow-shaped tips and place them in my jar. Tanya, watching, places a defiant foot in the bar.

“You always accuse US of moochin’ off Hubie, but you’re the biggest mooch. You want Hubie all to yourself, pig.”

“Get your goddamn foot out of the door,” I snap.

She stubbornly keeps her foot where it is while Hubie stands, points to the mirror. “Rick is Hubie’s friend,” he announces. “Hubie likes Rick. Rick takes care of Hubie.”

He points a stern finger at himself in the mirror. “Rick likes Hubie.” He smiles at this thought.

“You’re such a phony,” Tanya squawks at me.

“Get your goddamn foot out of here. I don’t want a single inch or ounce of your loathsome being in this bar.”

“Fuck YOUUUUUUU!”

“Hey dude, lay off!” Buford warns. He is fairly new to the Kennel, a drifter/transient with shifty prison eyes that seem to glow. He turns to Hubie. “Hey, old man, gimme twenty bucks for my frenz Trudie and Tanya. Yer a rich dude, givin’ that prick behind the bar bread for pourin’ fuckin’ beer, so give some of it to my frenz, you crazy ole fucker.”

Hubie looks quickly to me, fear in his eyes. “Lay off,” I tell Buford, my gorge rising. His eyes are green neon.

“Fuck you. This bar sucks long as yer in it. You can kiss my white ass.” He turns to Hubie with a sickeningly vulpine grin. “Gimme some-a that cash, ole crazy motherfucker. My frenz need-a eat. Hand it over, ole talkin’-to-yerself-loony-goddamn bedbug.”

Hubie is terrified. I step forward. “That’s enough, Buford. You’re cut off. I want you out-a here.” He grabs Hubie’s mug and hurls it at me, bouncing it off my chest and soaking my face, neck and shirt. Before I can react he hurls an empty bottle at me and then picks up every bottle in the vicinity and has me ducking as he fires one after another at me. One bounces off my forehead and another shatters a bottle of Jameson’s and then Buford flips me the finger and starts for the back door, but not before I am out from behind the bar and on him, the lead-bottomed bottle of Galliano in hand. Just as he reaches the back door I brain him across the side of the forehead and send him careening out onto the sidewalk, Trudie and Tanya jumping out of the way.

When the girls scream at me I lift the bottle menacingly and they flee down the sidewalk. Everybody pours out of the bar onto the sidewalk, where Buford wobbles like a punch-drunk boxer who’s just been bludgeoned by George Foreman, then backs up against the side of Happy Jack’s and slowly sinks to the sidewalk and sits there, eyes blank, mouth hung open, like he’s had an instant lobotomy.

I drop the bottle. A couple cranksters from the pool room pat my back with admiration and awe. “Nice goin’, Rick. Out-a fuckin’ sight, man.”

Buford rises slowly, eyes far, far away. “Wanna fight?” he blubbers, weakly raising his fists.

I fold my arms. His eyes refuse to focus. The bump on the side of his forehead has grown from a jawbreaker to a golf ball. He sinks back down, eyes staring sightlessly. Nobody bothers to call the cops or medics and Tanya and Trudie do not come back for him and will not because they have warrants and are despised by local police.

When I return to the bar, while cranksters all celebrate my braining of Buford, Hubie, the only person not to vacate the bar, says, smiling into the mirror, “May Hubie please have a beer, Rick? Hubie needs a beer from his friend Rick. Rick is Hubie’s friend. Hubie likes Rick.”

Half an hour later I check on Buford just in time to see him wobbling down the middle of the main drag with a tennis ball sticking out of his forehead while drivers honk and steer slowly around him. §

Dell Franklin writes from his home in Cayucos, Calif., where he lives with his mate, Wilbur, a very needy chocolate lab he rescued from the animal shelter. He is the founding publisher of The Rogue Voice and is currently working on a book about his dad, The Ball Player’s Son.

 

HEROIC AND KNIGHTLY CHAMPION

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I pick her up in the Fairlane and we go up on this hill overlookin’ town, by this old castle that is like a fort, back when folks lived off the land.

by Dell Franklin

Verona, Italy 1966

I figure somebody lookin’ after Paladin Johnson when they send his black ass to the 25th Army field hospital in Verona, Italy, the summer of l966, when troops is gettin’ bumped off by the bushel in ‘Nam.

I don’t know nothin’ about Italy. I only know my ghetto in Cleveland, Hough. I runnin’ in the streets, always in trouble, a mess for my momma to deal with, a bigger mess for my teachers to deal with, so finally they kick my ass out of school and judge tell me either I get my ass in the army or go to the slammer.

In the army, I bring with me some cocky street jive, wantin’ everybody know I’m a bad dude, but it ain’t long ‘fore them drill sergeants beat my ass down like I some kind of turkey, though I would never be a punk.

First time I get off post I just walk. It’s nothin’ like I picture in my head. So old, and crumbly, some places still broken up from bombs in the war. And the folks, these Italians, they like to sit around these cafes called TRATTORIAS and gabble and wave they hands, getting ’all riled, like everything a big deal.

Walkin’ through Verona nothin’ like walkin’ through white Cleveland, or downtown, where niggers all over the place and everybody look at you like you gon pull a job, snatch a purse, you know, bad news dude. In Verona, I one of the only black dudes walkin’ around, and Italians gawk at me like they curious, not scared, like they maybe wanna find out who I am and what I’m about.

Ain’t long before First Sergeant McCray got me trained all over the dispensary and put me in charge of the shot room, and that’s where I meet new trooper Thomas, we bros right off, he difficult, always scowlin’, actin’ bad, angry at white folks, readin’ Malcolm X. He bitch to McCray about honkies getting’ better duty and promotion, thinkin’ cuz McCray black he gonna give him a break, but Top don’t stand for no jive. Top treat me good, and he treat my white buds, Ruffner and DeSimone, good, too, cuz they stand-up and cool.

In fact, I got to know Maria DeRia, little lady work the post snack bar and bowlin’ alley, through these two honkies. When I go to the snack bar with Ruff and Dee for a burger, I got my eye on DeRia, workin’ behind the counter. She what you call pixie-cute, so tiny, not 5-foot-tall, older lady, maybe 30, but got her a fine little ass in that white uniform, and I always practice my Italian on DeRia, try and impress her, and I guess cuz I butcherin’ the language she think it funny, you know, cute, and she laugh, and give me extra fries with my burger, and when she smile and laugh them little lines around her eyes crinkle up and her whole face light up. She ain’t got perfect features, and she got a crooked tooth, but she beautiful and I know she sweet inside.

DeRia married, got her a 12-year-old girl. I find this out askin’ in my Italian. I don’t ever speak English to DeRia, though she speak some cuz she been workin’ this post snack bar 10 years.

Sometime Tom join me and Ruff and Dee at the bowlin’ alley, where they got dime beers. None of us bowl. Only four lanes. We go cuz DeRia workin’ at night. She give out bowlin’ shoes and sell beer and pop and snacks and make burgers. Only four stools at her little bar, and some time we all talkin’ to DeRia at the same time, butcherin’ Italian, teasin’ her, tellin’ her she sexy, and beautiful, I love you, caro mia, bella amore, and she laugh and tease back, she wear a nice skirt and sweater when she work the alley, and comb her short black hair and put on make-up, she know we like her a lot and all want her and we all bettin’ who gon sleep with her first, though ain’t no GI slept with this fine lady, so is the word on post. She a church woman. Catholic.

Well, one night I come in alone while everybody else working and bring her roses. DeRia look at these flowers, sniff them, hold them to her heart, and almost cry, and she say, “Johnson, you really love me, caro bello?”

“Si, Maria DeRia, mi bella.” I say. “Amore molto.” Then I make her laugh. She glowin’. I make her laugh again, and she still smellin’ them roses, and she look deep in me, and she say, “We make love tonight, Paladin. I like you very much. You are nicest American boy I know in all my time I work here.”

I go to the dispensary and get hold of Ruff and Dee, workin’ the graveyard, ask can I borrow the Ford Fairlane they own together and Dee flip me the keys. They don’t believe I got DeRia. I been in Verona a year and only been to two whores, both downtown. Ain’t no Italian chick goin’ out with me less I take the whole family along and they watchin’ like a hawk I don’t touch her.

So after DeRia close the alley she walk off post and I pick her up in the Fairlane and we go up on this hill overlookin’ town, by this old castle that is like a fort, back when folks lived off the land, and we got out two army blankets my two buds keep for such occasions, and DeRia and me make love. Man, she is a biddy thing, but all woman, and one hot kisser, she kiss me like no woman has, no tongue or anything like that, but just kissin’ and holdin’ and scratchin’ and bitin’ my lips, and when I inside her and kissin’ her pretty face she talkin’ to me, she yell AMORE, AMORE, oh, Paladin, AMORE, screamin’ that word when I come, and I know DeRia love me and I love her.

We start talkin’. She say her husband over 40 and fat, all he do is go to soccer games and argue soccer and drink espresso all day and vino at night and eat pasta in the little trattoria they own in their neighborhood. He too lazy work the trattoria. DeRia work days and nights on post and then she work the trattoria nights off while fatty drink and argue soccer, like this kind-a carryin’ on better than a woman.

Anyway, I drop DeRia off a block from home and I feelin’ so fine. I got my shot room where I boss. Topkick McCray in my corner. I get on with everybody, got two honkey friends like brothers. They slam my back and grinnin’ at me when I back after midnight, almost like family.

But Thomas, he angry, and scowlin’, sulkin’, say DeRia nothin’ but a white bitch, and we got at it, I pin his ass and wag a finger and he know I fuck him up, so he sag, and he angry with me, but that’s okay, cuz if he ain’t got nothin’ good to say, well, stay away.

Dee and Ruff, they let me borrow the Fairlane when I got nights off and DeRia sneak off, and we go to our hill and sip some vino from her bar and she cuddle right up to me, like she mine, and she is sweet, and so clean, and she love me and ain’t afraid to say so, she love me so much she cry every time after we make love, cuz she got to go home to old fatty, don’t touch her, don’t care about nothin’ but hangin’ out with his soccer buds.

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So now I diggin’ Verona. It is beautiful. A river run through it, and there’s this old coliseum downtown been bombed in the war. Across from this big old wide street with all kind-a traffic, you can sit at a café or trattoria on the Piazza Bra, which is like a promenade, and look at the coliseum, and hear the opera on summer nights. Piazza Bra go for blocks and ain’t nothin’ on it but cafes and trattorias with tables and chairs outside, and folks crowded up in ‘em. Folks walkin’ up and down the Piazza Bra past the tables, like they frontin’ at a parade. Girls arm and arm, girls and moms arm and arm, old folks and young folks arm in arm, even men arm and arm, jabberin’, wavin’ they hands. Back and forth.

Sometime, when the weather nice in the evening, I walk back and forth, only black dude, they all watchin’, but I don’t care, I diggin’ the ALFRESCO VIDA, big time, lookin’ for an empty table, though I can’t afford one, and one evening, when I paradin’, I hear a voice I know callin’ out: “Hey you, heroic and knightly champion, get your ass over here!”

I look over and it’s Dee and Ruff drinkin’ vino. They know me so well they call me heroic and knightly champion, which mean Paladin, the reason momma name me so.

I sit down. They drinkin’ Bardolino red vino cuz they makin’ cash on the side sellin’ smokes and gas and oil and whatever they get their hands on to Italians on the black market. I am their guest. A stiff waiter, all proper and dressed, puts a glass in front of me and pours me some vino. I am a black dude with two honkies and ain’t nobody else like us here and ain’t nobody got a problem with us. We are tight and cool. We talk and carry on. We get another bottle and feel the buzz and decide to visit DeRia half a mile away at her trattoria in the poor part of town.

The trattoria jammed with soccer crazies screamin’ at each other and wavin’ at the TV. DeRia see us and she look unhappy and worried, shake her head, but we go on up and order Bordolino and she ignore us. We see her hubby, fat, bald, loud, need a shave. We leave and DeRia won’t look at us, so next night at the alley I bring her red roses and she cry and that night we go to our hill and make love and she tell me she love me so much it break her heart. I feel the same. I wonder if when I go home there will ever be another woman in my heart like DeRia. I don’t think so, cuz there ain’t no woman in America like these Italian women. When they love you there ain’t no maybe so and it run deep, they don’t care about your color or how much bread you make or how cool your threads are or what you drivin’ down the street, they don’t be frettin’ over circumstances, they just love your ass forever.

Couple months before my discharge I’m thinkin’ about DeRia. She is my true love but she ain’t leavin’ her husband and kid. She a Catholic. I can’t take her home and I can’t stay here cuz there’s nothin’ in Italy if I ain’t in the army. Dee go home and Ruff go home and they GIVE me the Fairlane, cuz it ain’t worth much and they can’t afford take across the ocean. So DeRia and me, we goin’ hot and heavy. She get a day off and I get a day off and we take the Fairlane out to Lake Garda and drive all around this beautiful romantic lake, hills and mountains and terraces with vineyards all around us, stop and have vino in little towns like Riva and Garda City and Sermione, sit outside at cafes on the lake, everybody nice to us, and we take a blanket on some hill above the lake and make love under the sun, and DeRia, she cry and tell me, “Paladin, caro mio, you so bello, you like a Michelangelo statue in Rome, mi vida.” She cryin’, and cryin’, cuz I got to go home to America, and when I think about leavin’ Verona, and my gig in the shot room, and my car, and Lake Garda, and DeRia, it bust up my heart, cuz there ain’t nothin’ go home to that I like in Hough but momma, and family, but that’s all, ain’t nothin’back there but trouble, but I got no choice.

What I gon do? I can stay in the army, but then I go to Nam and get my ass shot, and I ain’t stayin’ in the army anyhow, cuz you got to kiss too many asses and they own your ass, all they do is fuck with you, like Topkick McCray tell me.

Top and Doc Graves, they say I should go back to school and be a nurse. “Use the GI bill,’ says Graves. “You are a smart man, Paladin. Don’t sell yourself short.”

Week before I leave I got no duties and DeRia cryin’ all the time. She cry when she see me in the snack bar, she cry when I come in the bowlin’ alley, she got to leave work and go cry, won’t come back ‘til I’m gone. We make love the night before I leave and she cryin’, hug me so hard it hurt, tellin’ me her life was rotten before she met me and since we been lovers she happy all the time, and now she got to be unhappy again, and she think her life be lonely and sad from here on, like there nothin’ to look forward to anymore, just her fat old husband don’t touch her, and I feel so bad for DeRia, cuz there ain’t nothin’ I can say make her stop cryin’, and I’m cryin’, too, cuz I know what I feel for her ain’t gon happen again the way it happen with us. Oh, it will happen again, but it won’t be so perfect and funny and peaceful and deep like it is with DeRia, who I call my “poverina.” Poor little thing.

But I got to leave. Next day I’m gone. Everybody I know well gone home, just Thomas hangin’ around, got four months left, still grumblin’ and scowlin’ and bitchin’ about how he from South Philly and he a bad-ass. He carry my duffel bag and walk me to the bus take me to Milano for the airplane to America.

“My car is yours, good bud,” I tell him. “Y’all start smilin’ an’ get yo’ sorry ass some leg and sweet lovin’, good brother.”

“I do that now I got the pussy-mobile. Thank you, my man. Love.”

“Love you too.”

I take the lonely bus to Milano and I’m so sad. I already missin’ DeRia. I get to New York and then fly to Cleveland and go to the ghetto and it so strange, I wish I got me my DeRia. But I ain’t got no DeRia. I never will again. Italy is over for me. I get a job drivin’ an ambulance, pickin’ up the bleedin’ and broken folks, the dyin’ and the dead. I go to school nights and get my high school diploma and start nursin’ school, gon be a nurse, and do good, gon have a life, right here in Hough. It’s poorer, sadder, everybody angry, wantin’ burn the mothafucker down. I ain’t the same dude runnin’ in the streets, getting’ in trouble. I’m a man. Thank you, sergeant McCray, and all my cool buds I never forget, and thank you, Maria DeRia, I love you little thing, my poverina, ‘til they take me away. §

Dell Franklin worked many years as a bartender at Happy Jack’s in Morro Bay, once considered one of the roughest fishermen’s bars on the West Coast. He’s the founding publisher of The Rogue Voice, and author of The Ball Player’s Son.